Curator • Writer • University lecturer
Senior Scientist & lecturer • Department of Artistic Strategies • Institute of Arts and Society • University of Applied Arts Vienna
"Learning to compose will need many names, not a global one, the voices of many peoples, knowledges, and earthly practices. It belongs to a process of multifold creation, the terrible difficulty of which would be foolish and dangerous to underestimate but which it would be suicidal to think of as impossible."
– Isabelle Stengers, In Catastrophic Times: Resisting the Coming Barbarism, 2015
Current projects
Immediate Matters. Speak We Must We Must Speak • Klima Biennale Wien 2026
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Soft Opening : Tuesday, April 14, 2pm-9pm in all spaces
Performance Program & party : Friday, April 17, 8pm on at Funkhaus Vienna
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Ten exhibitions curated by ten independent art spaces in Vienna: Echo Correspondance, eindorf, ENTRE, Kunstverein Kevin, Laurenz, new jörg, Pech, Schleuse, Size Matters and WAF
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Overall curator and coordinator : Anne Faucheret
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Speak We Must We Must Speak – inspired by Donna Haraway's "Think We Must We Must Think" inspired by Virginia Woolfe's "Think We Must" – echoes as a necessity in a time when ecological devastation is accompanied by the exhaustion of words. The ecological crisis is a crisis of perception, sensitivity, and relationality. It is a crisis of stories and language. Across the ten exhibitions, speaking does not align with classifying and mastering the world from above, but unfolds from a situated position and engages listening, responding and resisting. Speaking means reclaiming complexity, tackling uneasy entanglements, forging alliances among humans and with more-than-humans, and understanding ecology as an ecology of relations.
Parliament of Streams • das weisse haus Vienna • A solo exhibition by Carlos Monleón
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Opening : April 16, 6 pm
Duration : April 17 - June 13
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Curated by Anne Faucheret
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Speak We Must We Must Speak – inspired by Donna Haraway's "Think We Must We Must Think" inspired by Virginia Woolfe's "Think We Must" – echoes as a necessity in a time when ecological devastation is accompanied by the exhaustion of words. The ecological crisis is a crisis of perception, sensitivity, and relationality. It is a crisis of stories and language. Across the ten exhibitions, speaking does not align with classifying and mastering the world from above, but unfolds from a situated position and engages listening, responding and resisting. Speaking means reclaiming complexity, tackling uneasy entanglements, forging alliances among humans and with more-than-humans, and understanding ecology as an ecology of relations.
